We founded GOTIKA in 1996, in the living room of our apartment. We didn’t have a single penny, but we did have something clear: we wanted to unite artists from different disciplines with the most advanced technology possible to raise standards in the audiovisual industry. People told us we were crazy when we spoke about a future where films would first be completely digitized for intervention and then recorded directly in digital in very high resolution. That future became a present, nowadays, the past, and proved us right.

Along the way, we were pioneers in Latin America with milestones such as the first Digital Intermediate in 2005, the first full post-production in High Definition in 2003; and in the world in 2019 with the use of Artificial Intelligence for content regeneration.

In 2010, we opened the market for industrial image and sound digitization and restoration services and the development of technological solutions in Southeast Asia, winning numerous tenders with ASEAN states.

In 2016, we created GOTIKA Foundation to support audiovisual, cultural and educational projects and events with the sole intention of preserving audiovisual memory and pushing filmmakers to specialize and reach new standards.

From the very beginning, we co-produced films to apply technological advances. We generated and acquired Intellectual Property (IP) in the form of novels, stories and scripts to develop them, but technology did not allow us the production flow we always wanted to achieve.

The advance of graphics engines, coupled with Artificial Intelligence to create our own image and sound manipulation tools, gave us the ideal scenario to move forward in the developments that will be the first experiments. Because just as thirty years ago, we anticipated a future that became a reality, today we envision an even more disruptive one. With extremely profound changes in all the areas of the audiovisual industry.